{"id":383418,"date":"2025-10-29T16:42:04","date_gmt":"2025-10-29T20:42:04","guid":{"rendered":"https:\/\/dctheaterarts.org\/?p=383418"},"modified":"2025-10-29T16:42:05","modified_gmt":"2025-10-29T20:42:05","slug":"round-house-theatre-announces-cast-for-u-s-premiere-of-rules-for-living","status":"publish","type":"post","link":"https:\/\/dctheaterarts.org\/2025\/10\/29\/round-house-theatre-announces-cast-for-u-s-premiere-of-rules-for-living\/","title":{"rendered":"Round House Theatre announces cast for U.S. premiere of ‘Rules for Living’"},"content":{"rendered":"\n

Round House Theatre continues its 2025\/26 season with the U.S. premiere of Rules For Living<\/em><\/strong>, a wickedly funny yuletide farce about family dysfunction and societal norms. Written by British playwright Sam Holcroft<\/strong>, the play has been newly adapted<\/strong> for American audiences and is directed by Round House Artistic Director Ryan Rilette<\/strong>. It will run from December 3-January 4. More information and tickets here.<\/a><\/p>\n\n\n\n

The play follows a family preparing Christmas lunch. As the matriarch of the house puts everyone to work to create the perfect meal, what seemingly starts as a pleasant Christmas tradition descends into chaotic revelations of secrets, hostilities, and bitter grudges. As the story unfolds, the audience uncovers the hidden \u201crules\u201d each character follows to cope with family dynamics, offering a sharp, funny look at how we handle pressure and conflict.<\/p>\n\n\n

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\u201cI\u2019m so excited to tackle this hilarious holiday comedy with a dream team of comedic actors. Rules for Living<\/em> takes the typical dysfunctional family holiday story into new territory by drawing attention to the unspoken rules we all follow, often unconsciously, and the coping mechanisms we rely on when navigating the complexities of family dynamics. It\u2019s an entertaining and relatable story told with wit, heart, high energy, and a lot of laughs,\u201d says Artistic Director Ryan Rilette<\/strong>.  <\/p>\n\n\n\n

The cast includes Will Conard, Jonathan Feuer, Avery Harris, Naomi Jacobson, John Lescault, Maisie Posner, Dani Stoller, and Dina Thomas.<\/strong><\/p>\n\n\n\n

The cast is joined by a brilliant creative team, which includes Scenic Designer Jimmy Stubbs<\/strong>, Costume Designer Ivania Stack<\/strong>, Lighting Designer Emma Deane<\/strong>, Sound Designer Delaney Bray<\/strong>, Fight Director Casey Kaleba<\/strong>, Dramaturg Naysan Mojgani<\/strong>, Casting Director Sarah Cooney<\/strong>, Assistant Director Michael Glenn<\/strong>, Production Stage Manager Tori Schuchmann, <\/strong>and Production Assistant Ellen Mitchell<\/strong>.<\/p>\n\n\n\n

ABOUT THE ARTISTS<\/u><\/strong><\/p>\n\n\n\n

Sam Holcroft (Playwright)<\/strong> is an award-winning playwright and screenwriter. Theater credits include A Mirror<\/em> (Trafalgar Theatre, West End), co-produced with Second Half Productions; the musical Fantastic Mr. Fox<\/em> (Nuffield Theatre, Southampton and Lyric Hammersmith); Rules for Living, The Wardrobe, <\/em>and Edgar and Annabel <\/em>(The National Theatre); While You Lie <\/em>(Traverse Theatre); Pink <\/em>(Tricycle Theatre); Vanya <\/em>(Gate Theatre); and Cockroach <\/em>(National Theatre of Scotland). Television work includes The Rook <\/em>(Lionsgate). Awards include the Windham Campbell Prize for Literature in the Drama category and the Tom Erhardt Playwriting Award for Most Promising Writer. Sam is currently writing on an HBO series, is developing a new play for Second Half Productions, and is under commission to the National Theatre. <\/p>\n\n\n\n

Ryan Rilette (Director) <\/strong>is in his fourteenth season as Artistic Director of Round House Theatre. For Round House, he has directed Bad Books <\/em>(world premiere), The Seafarer<\/em>, \u201cWe declare you a terrorist…\u201d <\/em>(world premiere), Throw Me on the Burnpile and Light Me Up<\/em>, Homebound<\/em>, The Curious Incident of the Dog in the Night-Time<\/em>, Oslo<\/em>, Small Mouth Sounds<\/em>, \u201cMaster Harold\u201d…and the Boys<\/em>, The Book of Will<\/em>, Angels in America: Perestroika<\/em>, The Night Alive<\/em>, Fool for Love<\/em>, This<\/em>, and How to Write a New Book for the Bible<\/em>. He also acted in Ink <\/em>and Uncle Vanya <\/em>at Round House, has directed at theatres throughout the country, and has acted in a handful of TV shows and films. During his tenure at Round House, he has produced seven of the 10 highest grossing seasons and 17 of the top 20 highest grossing productions in the theater\u2019s history. His productions have received 99 Helen Hayes Awards nominations and 30 Helen Hayes Awards. Ryan created the theater\u2019s Equal Play commissioning program, Resident Artist program, Fair Play pay scale for artists, and Free Play ticketing program. Prior to joining Round House, Ryan served as Producing Director of Marin Theatre Company, Producing Artistic Director of Southern Rep Theatre, and co-founder and Artistic Director of Rude Mechanicals Theatre Company. He is the former Board President of the National New Play Network. <\/p>\n\n\n\n

CAST INFORMATION (ALPHABETICAL)<\/u><\/strong><\/p>\n\n\n\n

Will Conard (Matthew) <\/strong>is a recent graduate of NYU\u2019s Grad Acting MFA program and is very excited to begin his theatrical career at Round House Theatre in this production of Rules for Living<\/em>. Film\/TV: Lapsis<\/em>. BA: Brown University.<\/p>\n\n\n\n

Jonathan Feuer (Adam)<\/strong> is making his Round House Theatre debut. Local credits include Richard III<\/em> and As You Like It<\/em> at Shakespeare Theatre Company, John<\/em> at Signature Theatre, Monumental Travesties<\/em> and Charm<\/em> at Mosaic Theater Company, Antigone Project<\/em> at Rep Stage, and The Call<\/em> at Theater J. He has also worked at Arena Stage, Studio Theatre, Kennedy Center TYA, Imagination Stage, Prologue Theatre, Solas Nua, Spooky Action Theater, The Keegan Theatre, Adventure Theatre, and more. Jonathan is an MFA graduate of the Academy for Classical Acting at GW. He will next appear in Eureka Day<\/em> at Theater J in the spring.<\/p>\n\n\n\n

Avery Harris (Emma) <\/strong>is delighted to be stepping onto the Round House Theatre stage for the first time. Her most recent credits include The Bedwetter <\/em>(Laura) at Arena Stage and Ragtime<\/em> (The Little Girl) at Signature Theatre (Helen Hayes Nomination for Best Ensemble). Other theater credits include The Little Mermaid<\/em> (Ariel) and Matilda <\/em>(Matilda).<\/p>\n\n\n\n

Naomi Jacobson (Deborah) <\/strong>has appeared at Round House in Caroline, or Change; The Lyons; Wintertime; The Talented Mr. Ripley; Smell of the Kill<\/em> (all married to actual husband John Lescault); The Tempest; <\/em>and Mere Mortals.<\/em> She has performed at most of the DC-area Equity theatres, including The Kennedy Center, Shakespeare Theatre, Arena Stage, Signature Theatre, and Woolly Mammoth Theatre. Regionally, she has performed at the Guthrie Theatre, Goodman Theatre, Cleveland Playhouse, Milwaukee Rep, Center Stage, Cincinnati Playhouse, Indiana Rep, Arizona Theatre Company, Village Theatre, Maltz Jupiter, and the Berkshire Theatre Festival. Her voiceover work includes NPR, PBS, Discovery Channel, and the Smithsonian. She has received three Helen Hayes Awards, numerous nominations, the Lunt-Fontanne Fellowship, the Anderson-Hopkins Award, and a DC Arts Individual Artist grant. <\/p>\n\n\n\n

John Lescault (Francis)<\/strong> Previous credits at Round House include Shakespeare, Moses, and Joe Papp; Our Town; Wintertime; The Lyons;<\/em> Caroline, or Change<\/em>; A Prayer for Owen Meany; <\/em>and Handbagged<\/em>. International credits include Defiant Requiem<\/em> (Prague Spring Music Festival) and A Midsummer Night’s Dream<\/em> (Shakespeare Theatre Company\/Macau Arts Festival). New York credits include Handbagged <\/em>(59E59\/ Round House Theatre) and Le Deserteur <\/em>(Opera Lafayette at Lincoln Center). Regional credits: Native Gardens <\/em>and A Prayer for Owen Meany<\/em> (Cincinnati Playhouse); The Second City’s Twist Your Dickens<\/em>, Love Factually,<\/em> and Opera Lafayette’s Sancho Ponca <\/em>(The Kennedy Center), as well as productions at Arena Stage, Shakespeare Theatre Company, Signature Theatre, Ford’s Theatre, Studio Theatre, Olney Theatre, and CATF (among many others). Film\/TV: Lincoln<\/em>, The Day Lincoln Was Shot,<\/em> Unsolved Mysteries<\/em>, Beautiful Something<\/em>, The Fox Hunter<\/em>, and Dakota<\/em>. John has been a narrator of commercial audiobooks and for the Library of Congress’s Talking Books program for 30 years. He is a graduate of The Catholic University of America.<\/p>\n\n\n\n

Maisie Posner (Emma)<\/strong> is ecstatic to be making her Round House Theatre debut in this hilarious and heartfelt play. Previous professional roles include Bielke in Fiddler on the Roof<\/em> at the Olney Theatre Center and Rebecca Gibbs in Our Town<\/em> at the Shakespeare Theatre. She has also done professional readings of The Story of Walter<\/em> for Signature Theatre and Shakespeare & the Zombie Plague of 1590<\/em>. Maisie is a 9th grader in the CAP Program at Montgomery Blair High School. <\/p>\n\n\n\n

Dani Stoller (Carrie)<\/strong> is an award-winning playwright and actor currently based in Washington, DC. Performance credits include This Much I Know (<\/em>59E59 Off-Broadway); Which Way to the Stage <\/em>and Ragtime<\/em> (Signature Theatre, Helen Hayes Nomination for Best Supporting Performer); My Body, No Choice<\/em> (Arena Stage, Helen Hayes Nomination for Best Supporting Performer); As You Like It, A Midsummer Night\u2019s Dream, <\/em>and District Merchants<\/em> (Folger Theatre); The Joy That Carries You, The Humans, The Diary of Anne Frank, <\/em>and The Crucible<\/em> (Olney Theatre Center); and This Much I Know, Hester Street <\/em>(Helen Hayes Nomination for Best Supporting Performer), <\/em>and Prayer for the French Republic <\/em>(Helen Hayes Nomination for Best Supporting Performer)(Theater J). She has also performed at Studio Theatre, 1st Stage, Keegan Theatre, and The Kennedy Center. Playwriting credits include Easy Women Smoking Loose Cigarettes<\/em> (Signature Theatre), Just Great: an adaptation of some book by F. Scott Fitzgerald<\/em> (recently published by Broadway Licensing), The Voices of Blackwell Island, The Possumneck Playhouse Presents…, Failureland<\/em> (Signature Theater SIS Program), Girlhood<\/em> (Round House Theatre Teen Performance Company commission), and The Joy That Carries You<\/em>, co-written with Awa Sal Secka (Olney Theatre Center, winner of the Helen Hayes Charles MacArthur Award for Best New Play). Education: BFA Ithaca College, MFA CUA.<\/p>\n\n\n\n

Dina Thomas (Nicole)<\/strong> is a DC theater artist and real estate agent who is thrilled to be back after making her Round House debut earlier this year in the reading of Baby Shower Katie<\/em>. Other DC credits include At The Wedding, Cry It Out<\/em> and 2.5 Minute Ride <\/em>at Studio Theatre; The Berlin Diaries, Chameleon, <\/em>and The Wanderers <\/em>at Theater J; Much Ado About Nothing <\/em>and The Metromaniacs <\/em>at Shakespeare Theater Company. Her Off-Broadway credits include The Metromaniacs <\/em>at Red Bull Theater, Clever Little Lies <\/em>at Westside Theatre, and Tribes <\/em>at Barrow Street Theatre directed by David Cromer. Regional credits include Everything You Touch <\/em>at Contemporary American Theater Festival; The Metromaniacs <\/em>at The Old Globe; See How They Run <\/em>and 10×10 New Play Festival <\/em>at Barrington Stage Company; and Bad Jews <\/em>(BroadwayWorld Award, Best Actress), I’m Gonna Pray For You So Hard<\/em>, and Miss Witherspoon <\/em>at Unicorn Theatre. She has an MFA in Acting from the University of Missouri\u2013Kansas City and a B.A. in Theatre from Binghamton University.<\/p>\n\n\n\n

Ari Post (Understudy, Matthew\/Adam)<\/strong> is thrilled to make his Round House Theatre debut with Rules for Living<\/em>. DC credits include The Comedy of Errors<\/em>, Romeo and Juliet<\/em>, and The Rover<\/em> at Shakespeare Theatre Company; Electionland <\/em>at Storyworks Theater; and The Two Gentlemen of Verona<\/em> and The Odyssey<\/em> at Shakespeare Theatre Company (MFA). Other credits include Now to Ashes <\/em>at the DC Fringe Festival (Best of Fringe), and Venus in Fur<\/em>, Vanya and Sonia and Masha and Spike<\/em>, and Side Man<\/em> at local area theaters. Upcoming credits include Appropriate<\/em> at Olney Theatre Center and Once<\/em> at NextStop Theatre Company. Training: MFA in Acting, Shakespeare Theatre Company at George Washington University.<\/p>\n\n\n\n

Vince Rossano (Understudy, Francis) <\/strong>is back for his second understudy gig at Round House.  He is a recent arrival in the DMV area, having spent most of his nearly-60-year theatrical career performing in regional theater in his home state of Vermont. In the past few years, he has appeared in Much Ado About Nothing<\/em>, The Seagull<\/em>, and The Father<\/em> at Unadilla Theater, Taming of the Shrew<\/em> at the Vermont Shakespeare Festival, Native Gardens<\/em> and A Number<\/em> at Vermont Stage, and To Kill a Mockingbird<\/em> and Kiss Me Kate<\/em> at the Mirror Repertory Theater. He and his wife have also toured the Eastern Seaboard with their production of A.R. Gurney\u2019s Love Letters<\/em>. He has a degree in theatre from the University of Vermont and also studied theatre at Goddard College.<\/p>\n\n\n\n

Amy Benson<\/strong> (Understudy, Carrie\/Nicole)<\/strong> is thrilled to be understudying at Round House Theatre once again! Amy is Round House’s Artistic and Executive Associate, was the assistant to director Alan Paul on Round House’s production of Next to Normal,<\/em> and understudied the incomparable Kimberly Gilbert in What the Constitution Means to Me<\/em>. She is also the Festival Producer for the workshops during the Bonnie Hammerschlag National Capital New Play Festival. She was the Founding Artistic Director of Walking Shadow Readers Theatre, a new play development company, and has directed Best Medicine Rep, Too Much Damn Theater, and the Philadelphia Dramatists Center.  Amy also has extensive teaching experience as a teaching artist at Imagination Stage, Adventure Theatre, and Epworth Preschool. She has taught in Beijing, China, and Berlin, Germany, where she founded her own acting studio, Amy Benson Studios. Amy has a BFA from NYU’s Tisch School of the Arts.<\/p>\n\n\n\n

Mara Rosenberg<\/strong> is delighted to return to Round House Theatre, where she understudied the role of Nan in Jennifer, Who is Leaving<\/em>. Since relocating to the DMV from Charlotte, NC, Mara has been seen in productions at Silver Spring Stage (Circle,<\/em> Mirror, Transformation<\/em>), NOVA Nightsky Theater (Picnic<\/em> and The American Plan<\/em>), The Arlington Players (A Daughter\u2019s a Daughter<\/em>), Greenbelt Arts Center (Motherhood Out<\/em> Loud)<\/em>, and Pipeline Playwrights (Wednesdays in Mississippi). <\/em>Mara spends her days making silly voices as a school librarian.<\/p>\n\n\n\n

Rules for Living<\/a><\/em><\/strong> runs December 3, 2025-January 4, 2026, at Round House Theatre, 4545 East-West Highway, Bethesda, MD. Performances are Tuesday through Friday at 7:30 PM, Saturday at 8:00 PM, and Saturday and Sunday at 2:00 PM. Tickets start at $50 with ticket discounts available. Purchase tickets by calling 240.644.1100, ordering online<\/a><\/strong>, or visiting the box office.<\/p>\n\n\n\n

Available ticket discounts include:<\/p>\n\n\n\n

\u2022 Pay-What-You-Can performances:<\/strong> PWYC tickets go on sale online or by phone only (no walk-up sales) beginning three weeks before the first performance of each show. The patron decides the admission price. Limit of two tickets per order. PWYC tickets are available for performances on Wednesday, December 3 (7:30pm) and Saturday, December 6 (2pm) and are subject to availability.<\/p>\n\n\n\n

\u2022 2-For-1 Tuesday:<\/strong> For all Tuesday performances of Rules for Living,<\/em> all seats are buy one, get one free. 2-for-1 Tuesday tickets are available online or by phone (240.644.1100) with promo code TWOFORONE. Discounts may not be combined. Not valid on previously purchased tickets.<\/p>\n\n\n\n

 \u2022 Free Play<\/strong>: Free Tickets<\/strong> for students ages 13 through college<\/strong>: Round House Theatre\u2019s Free Play initiative ties into its greater strategy to develop theater audiences of tomorrow by providing rich, meaningful arts experiences today. For more information, visit RoundHouseTheatre.org\/FreePlay<\/a> or email Education@RoundHouseTheatre.org<\/a>.<\/p>\n\n\n\n

\u2022 On the House community ticket access program<\/strong>: Round House\u2019s next step to remove barriers that can make it difficult for some community members to experience its work is On the House, which provides complimentary group tickets to 501(c)(3) nonprofit organizations and community-serving organizations with a 501(c)(3) fiscal sponsor. For more information, visit RoundHouseTheatre.org\/On-Stage\/On-The-House<\/a> or email Community@RoundHouseTheatre.org<\/a>.<\/p>\n\n\n\n

\u2022 Blue Star Theatre Program:<\/strong> Active-duty military personnel, veterans, and their immediate family qualify for a $10 discount off the single ticket price. Learn more at RoundHouseTheatre.org\/On-Stage\/Tickets<\/a>.<\/p>\n\n\n\n

\u2022 Group Sales:<\/strong> Groups of 10 or more can save 10% off the single ticket price and are exempt from single ticket fees. These tickets must be reserved and purchased in advance by calling 240.644.1100 or emailing GroupSales@RoundHouseTheatre.org<\/a>.<\/p>\n\n\n\n

ACCESSIBLE PERFORMANCES<\/u><\/strong><\/p>\n\n\n\n