{"id":371786,"date":"2025-09-09T07:15:55","date_gmt":"2025-09-09T11:15:55","guid":{"rendered":"https:\/\/dctheaterarts.org\/?p=371786"},"modified":"2025-09-24T09:38:56","modified_gmt":"2025-09-24T09:38:56","slug":"in-dodi-diana-at-mosaic-a-beguiling-amalgam-of-astrology-and-erotica-verite","status":"publish","type":"post","link":"https:\/\/dctheaterarts.org\/2025\/09\/09\/in-dodi-diana-at-mosaic-a-beguiling-amalgam-of-astrology-and-erotica-verite\/","title":{"rendered":"In \u2018Dodi &#038; Diana&#8217; at Mosaic, a beguiling amalgam of astrology and erotica verit\u00e9"},"content":{"rendered":"\n<p>An astrologer named Vincent is a central character in this play, and though he never appears, his influence is all over it. He has persuaded a ten-years-together married couple \u2014 Samira and Jason \u2014 that they are the \u201castrological doubles\u201d of Diana Spencer and Dodi Fayed and that they should hole up for three days in a posh hotel in Paris on the 25th anniversary of Diana and Dodi\u2019s horrific death. The point, according to Vincent, is to experience a \u201cconvergence,\u201d as of celestial bodies.<\/p>\n\n\n\n<p>This peremptory astrologer, not unlike a mischievous dramatist, has prescribed all the parameters: no phones, no one else in the room, curtains drawn, just the two of them, plus room service. Jason and Samira, being very into each other, waste no time converging their corporeal bodies such that over the course of this very straight play by Kareem Fahmy, they enact some of the most extensive and artfully hot intimacy coordination likely to be seen on a DC stage (shoutout to intimacy director Sierra Young). Thus in the following tumult of intimate scenes from three days of Jason and Samira\u2019s marriage, we witness a beguiling amalgam of astrology and erotica verit\u00e9.<\/p>\n\n\n<div class=\"wp-block-image size-full wp-image-371861\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"600\" src=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/05h_Dodi-Diana_0419-800x600-1.jpeg\" alt=\"\" class=\"wp-image-371861\" srcset=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/05h_Dodi-Diana_0419-800x600-1.jpeg 800w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/05h_Dodi-Diana_0419-800x600-1-300x225.jpeg 300w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/05h_Dodi-Diana_0419-800x600-1-460x345.jpeg 460w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/05h_Dodi-Diana_0419-800x600-1-768x576.jpeg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">Dina Soltan as Samira and Jake Loewenthal as Jason in Mosaic Theater\u2019s production of \u2018Dodi &amp; Diana\u2019 by Kareem Fahmy. Photo by Chris Banks.<\/figcaption><\/figure><\/div>\n\n\n<p>Who <em>are<\/em> these people who have cast their lot with a stargazing life coach? The woman, Samira (played with steely-eyed coquetry by Dina Soltan), is Middle Eastern, daughter of Egyptian immigrants, and an actress on the brink of major stardom. Against Vincent\u2019s dicta, she keeps surreptitiously checking her phone for a call from her agent about a megawatt part she is up for. The man, Jason (played with libidinous charm by impressively fit Jake Loewenthal), is white, Canadian, and a wealthy banker whose worth has increased substantially upon following Vincent\u2019s advice. They live in a $5-million townhouse in Greenwich Village. They can afford to indulge whatever fantasies they please.<\/p>\n\n\n\n<p>There isn\u2019t much standing in their privileged way except for incipient marital tensions, having somewhat, but not everything, to do with the difference in their cultural backgrounds. The sticking-point conflict between them is whether to procreate. Jason wants babies, lots of them; Samira has prioritized her acting career and future fame.<\/p>\n\n\n\n<p>We are privy to every passionate and dispassionate communication between them. Reginald L. Douglas, whose direction is both sublimely sensitive and spectacularly theatrical, has Soltan and Loewenthal interact up close and personal as though they really are alone, often in such private quietude that we voyeurs must lean in to hear. In between the dozen scenes \u2014 in which we learn how they met, courted, and wed then watch their marriage nearly become undone \u2014 their lavish hotel room (magnificently designed by Shartoya R. Jn. Baptiste) becomes a stunning sound and light show (designed, respectively, by navi and Sage Green), including effects that surreally summon a sense of the fateful night Dodi and Diana crashed in a tunnel pursued by paparazzi.<\/p>\n\n\n<div class=\"wp-block-image size-full wp-image-371862\">\n<figure class=\"aligncenter\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"900\" src=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/Dodi-Diana-900x900-1.jpg\" alt=\"\" class=\"wp-image-371862\" srcset=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/Dodi-Diana-900x900-1.jpg 900w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/Dodi-Diana-900x900-1-300x300.jpg 300w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/Dodi-Diana-900x900-1-460x460.jpg 460w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/Dodi-Diana-900x900-1-150x150.jpg 150w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2025\/09\/Dodi-Diana-900x900-1-768x768.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><figcaption class=\"wp-element-caption\">Dina Soltan as Samira and Jake Loewenthal as Jason in Mosaic Theater\u2019s production of \u2018Dodi &amp; Diana\u2019 by Kareem Fahmy. Photos by Chris Banks.<\/figcaption><\/figure><\/div>\n\n\n<p>The veracity and chemistry between Soltan and Loewenthal are off the charts, not only in their amorous romps but in serious scenes that explore how Jason\u2019s and Samira\u2019s psychological backstories affect the sex and affection they want and don\u2019t. Her parents \u201cfought every single day of their marriage.\u201d He was hazed, humiliated, and feminized by three older brothers (\u201cI wasn\u2019t a boy to them\u201d) and given solace only by his mother. It now matters to him a lot that he be seen as a man. But at one point during foreplay, Samira communicates explicitly to Jason that she wants to be choked, and Jason recoils. (\u201cI think you want me to be mean. Rough,\u201d he says. \u201cAnd that\u2019s not who I am. I am not a bully.\u201d) In such moments, it is as if we witness a dimension of trust and honesty between two human beings that transcends the stage.<\/p>\n\n\n\n<p>Jeannette Christensen&#8217;s costumes range from Jason&#8217;s casual dressing down (and&nbsp; undressing) to the sort of spiffy duds and Dior that befit the rich. The world of extreme wealth that is the world of the play is what it is. The authenticity and vivacity in the performances of Soltan and Loewenthal go a long way to keeping Samira and Jason relatable. They really do enoble the play.<\/p>\n\n\n\n<p>Near the end, there is a marriage-meltdown scene between Samira and Jason that is so raw and unnerving that one dares not breathe. It&#8217;s like watching a verbal brawl that seems certain to end badly. I won\u2019t say more. But Samira and Jason&#8217;s ostensible astrological analogy to tragic lovers Dodi and Diana \u2014 which up till then, if I\u2019m being honest, has seemed kind of an incidental and corny conceit \u2014 suddenly earns its dramaturgical keep.<\/p>\n\n\n\n<p>Running Time: Approximately 90 minutes with no intermission.<\/p>\n\n\n\n<p><a href=\"https:\/\/mosaictheater.org\/dodi-and-diana\" target=\"_blank\" rel=\"noopener\"><em><strong>Dodi &amp; Diana<\/strong><\/em><\/a> plays through October 5, 2025, presented by <a href=\"https:\/\/mosaictheater.org\/\" target=\"_blank\" rel=\"noopener\">Mosaic Theater Company <\/a>performing in the Sprenger Theatre at Atlas Performing Arts Center, 1333 H Street NE, Washington, DC. Tickets are $50.50$\u201383.50 and available by contacting the box office at (202) 399-7993 or <a href=\"mailto:boxoffice@atlasarts.org\" target=\"_blank\" rel=\"noopener\">boxoffice@atlasarts.org<\/a> from 12 pm\u20136 pm&nbsp;Tuesday through Sunday, or one hour prior to a performance. Tickets may also be purchased <a href=\"https:\/\/smsmosaictheater.my.salesforce-sites.com\/ticket\/#\/events\/a0SRk000004przFMAQ\" target=\"_blank\" rel=\"noopener\"><strong>online <\/strong><\/a>or through <a href=\"https:\/\/todaytix.pxf.io\/553XKb\" target=\"_blank\" rel=\"noopener\"><strong>TodayTix.<\/strong><\/a><\/p>\n\n\n\n<p>The digital program is downloadable <a href=\"https:\/\/static1.squarespace.com\/static\/5e5bc398d7168c57f6b6ec92\/t\/68b08ceccb99fe4ae5113ad6\/1756400876297\/Dodi+and+Diana_Program_V12_ISSUU.pdf\" target=\"_blank\" rel=\"noopener\">here.<\/a><\/p>\n\n\n\n<p><strong>Performances<br><\/strong>Thursdays\u2013Saturdays at 7:30 p.m.; Saturdays at 3 p.m. (except September 6); Sundays at 3 p.m.; and Thursdays, September 18 and 25, at 11 a.m.<\/p>\n\n\n\n<p><strong>Discounts<br><\/strong>Rush Tickets: A limited number of $20 rush tickets are available via walk-up cash purchase at the box office beginning one hour before the start of each performance. Cash preferred.<br>Senior Rate (65+): Save 10% with code: SENIOR<br>Student Rate: $20 tickets with code: STUDENT<br>Educator Rate: $20 tickets with code: EDUCATOR<br>Military and First Responder Rate:&nbsp; Save 10% with code: HERO<br>Furloughed and Laid Off Federal Workers: Get $20 tickets with code: SOLIDARITY<br>Under 30: Patrons 30 and younger can access $25 tickets to Mosaic mainstage performances. Use code UNDER30. Restrictions: One ticket per order. Discount is not available on weekend matinees.<\/p>\n\n\n\n<p><em><strong>Dodi &amp; Diana<\/strong><\/em><br>By Kareem Fahmy<br>Directed by Reginald L. Douglas<\/p>\n\n\n\n<p>CREATIVE TEAM<br>Scenic Designer: Shartoya R. Jn. Baptiste<br>Lighting Designer: Sage Green<br>Costume Designer: Jeannette Christensen<br>Sound Designer: navi<br>Properties Designer: Luke Hartwood<br>Production Stage Manager: Jenna Keefer<br>Intimacy and Violence Director: Sierra Young<br>Casting Director: Chelsea Radigan<\/p>\n\n\n\n<p>CAST<br>Jason: Jake Loewenthal<br>Samira: Dina Soltan<\/p>\n\n\n\n<p><strong>COVID Safety:<\/strong> Mosaic Theater aligns its safety protocols with those of the Atlas Performing Arts Center.&nbsp;Masking is recommended, however it is no longer mandatory \u2014 masks in theaters and public spaces at the Atlas Performing Arts Center are now optional. For the latest information, visit&nbsp;<a href=\"https:\/\/t.e2ma.net\/click\/pglzrm\/5ouw7so\/tfvp38\">mosaictheater.org\/health-and-safety<\/a>.<\/p>\n\n\n\n<p><strong>SEE ALSO:<\/strong><br><strong><a title=\"Mosaic Theater Company to present DC premiere of \u2018Dodi &amp; Diana\u2019\" href=\"https:\/\/dctheaterarts.org\/2025\/08\/04\/mosaic-theater-company-to-present-dc-premiere-of-dodi-diana\/\" rel=\"bookmark\">Mosaic Theater Company to present DC premiere of \u2018Dodi &amp; Diana\u2019 <\/a><\/strong>(news story, August 4, 2025)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kareem Fahmy\u2019s tumultuous play stages scenes from a star-struck marriage nearly come undone.   By JOHN STOLTENBERG<\/p>\n","protected":false},"author":13,"featured_media":372668,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[19,3,18],"tags":[337,175],"class_list":{"0":"post-371786","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-washington-district-columbia","8":"category-featured","9":"category-reviews","10":"tag-kareem-fahmy","11":"tag-reginald-l-douglas"},"acf":[],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v21.0 (Yoast SEO v26.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>In \u2018Dodi &amp; Diana&#039; at Mosaic, a beguiling amalgam of astrology and erotica verit\u00e9 - DC Theater Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dctheaterarts.org\/2025\/09\/09\/in-dodi-diana-at-mosaic-a-beguiling-amalgam-of-astrology-and-erotica-verite\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"In \u2018Dodi &amp; Diana&#039; at Mosaic, a beguiling amalgam of astrology and erotica verit\u00e9\" \/>\n<meta property=\"og:description\" content=\"Kareem Fahmy\u2019s tumultuous play stages scenes from a star-struck marriage nearly come undone.  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Photo by Chris Banks.\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dctheaterarts.org\/2025\/09\/09\/in-dodi-diana-at-mosaic-a-beguiling-amalgam-of-astrology-and-erotica-verite\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dctheaterarts.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"In \u2018Dodi &#038; Diana&#8217; at Mosaic, a beguiling amalgam of astrology and erotica verit\u00e9\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dctheaterarts.org\/#website\",\"url\":\"https:\/\/dctheaterarts.org\/\",\"name\":\"DC Theater Arts\",\"description\":\"Washington, DC&#039;s most comprehensive source of performing arts coverage.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dctheaterarts.org\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/dctheaterarts.org\/#\/schema\/person\/f51d9c46f53f0ef73cf9ac797f91eba5\",\"name\":\"John Stoltenberg\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/dctheaterarts.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/04\/cropped-John-Stoltenberg-new-Headshot-96x96.jpg\",\"contentUrl\":\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/04\/cropped-John-Stoltenberg-new-Headshot-96x96.jpg\",\"caption\":\"John Stoltenberg\"},\"description\":\"John Stoltenberg is executive editor of DC Theater Arts. He writes both reviews and his Magic Time! column, which he named after that magical moment between life and art just before a show begins. In it, he explores how art makes sense of life\u2014and vice versa\u2014as he reflects on meanings that matter in the theater he sees. Decades ago, in college, John began writing, producing, directing, and acting in plays. He continued through grad school\u2014earning an M.F.A. in theater arts from Columbia University School of the Arts\u2014then lucked into a job as writer-in-residence and administrative director with the influential experimental theater company The Open Theatre, whose legendary artistic director was Joseph Chaikin. Meanwhile, his own plays were produced off-off-Broadway, and he won a New York State Arts Council grant to write plays. Then John\u2019s life changed course: He turned to writing nonfiction essays, articles, and books and had a distinguished career as a magazine editor. But he kept going to the theater, the art form that for him has always been the most transcendent and transporting and best illuminates the acts and ethics that connect us. He tweets at @JohnStoltenberg. Member, American Theatre Critics\/Journalists Association.\",\"url\":\"https:\/\/dctheaterarts.org\/author\/john-stoltenberg\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"In \u2018Dodi & Diana' at Mosaic, a beguiling amalgam of astrology and erotica verit\u00e9 - DC Theater Arts","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/dctheaterarts.org\/2025\/09\/09\/in-dodi-diana-at-mosaic-a-beguiling-amalgam-of-astrology-and-erotica-verite\/","og_locale":"en_US","og_type":"article","og_title":"In \u2018Dodi & Diana' at Mosaic, a beguiling amalgam of astrology and erotica verit\u00e9","og_description":"Kareem Fahmy\u2019s tumultuous play stages scenes from a star-struck marriage nearly come undone.  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He writes both reviews and his Magic Time! column, which he named after that magical moment between life and art just before a show begins. In it, he explores how art makes sense of life\u2014and vice versa\u2014as he reflects on meanings that matter in the theater he sees. Decades ago, in college, John began writing, producing, directing, and acting in plays. He continued through grad school\u2014earning an M.F.A. in theater arts from Columbia University School of the Arts\u2014then lucked into a job as writer-in-residence and administrative director with the influential experimental theater company The Open Theatre, whose legendary artistic director was Joseph Chaikin. Meanwhile, his own plays were produced off-off-Broadway, and he won a New York State Arts Council grant to write plays. Then John\u2019s life changed course: He turned to writing nonfiction essays, articles, and books and had a distinguished career as a magazine editor. But he kept going to the theater, the art form that for him has always been the most transcendent and transporting and best illuminates the acts and ethics that connect us. He tweets at @JohnStoltenberg. Member, American Theatre Critics\/Journalists Association.","url":"https:\/\/dctheaterarts.org\/author\/john-stoltenberg\/"}]}},"_links":{"self":[{"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/posts\/371786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/comments?post=371786"}],"version-history":[{"count":0,"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/posts\/371786\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/media\/372668"}],"wp:attachment":[{"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/media?parent=371786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/categories?post=371786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dctheaterarts.org\/wp-json\/wp\/v2\/tags?post=371786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}