{"id":369509,"date":"2025-06-18T18:04:55","date_gmt":"2025-06-18T22:04:55","guid":{"rendered":"https:\/\/dctheaterarts.org\/?p=369509"},"modified":"2025-06-18T18:04:55","modified_gmt":"2025-06-18T22:04:55","slug":"artfactorys-delightful-lend-me-a-soprano-delivers-big-laughs-up-close","status":"publish","type":"post","link":"https:\/\/dctheaterarts.org\/2025\/06\/18\/artfactorys-delightful-lend-me-a-soprano-delivers-big-laughs-up-close\/","title":{"rendered":"ARTfactory’s delightful ‘Lend Me a Soprano’ delivers big laughs up close"},"content":{"rendered":"

They say it isn\u2019t over until the fat lady sings \u2014 but in Ken Ludwig\u2019s Lend Me a Soprano<\/em>, the real chaos begins before a single aria is heard. This sharp, gender-swapped reimagining of Ludwig\u2019s farce Lend Me a Tenor <\/em>takes operatic disasters to new heights (and decibels). With a cast of eccentric characters and Ludwig\u2019s signature rapid-fire pacing, Lend Me a Soprano,<\/em> directed by Vincent Worthington, produced by Kimberly Kemp, and stage managed by Juliana Gedney, delivers a fast-paced evening of theatrical mayhem that proves the show must go on \u2014 and hilariously will go on.<\/p>\n

\"\"
\u2018Oh my God! It\u2019s the Lunatic! It must be!\u2019 Meighan Hogate as Jerry, Andrea Pajarillo as Bellhop, and Carolyn Corsano-Wong as Julia in \u2018Lend Me a Soprano.\u2019 Photo by Jean Tegtmeyer.<\/figcaption><\/figure>\n

Lend Me a Soprano<\/em> demands a great deal of energy and impeccable timing, and these actors did not disappoint. Deb Hansen, as the overstressed, controlling opera manager Lucille Wylie, was particularly compelling; her frantic energy fueled much of the comedic tension at the start of the show. Her natural ability to command the stage ensured that her character\u2019s high-strung antics were always engaging and consistently funny. Hansen\u2019s portrayal of Jerry\u2019s mother demonstrated subtle authority, effortlessly conveying the character\u2019s dominance with every raised eyebrow and knowing glance. Through her commanding presence, it became clear who was truly in charge of the family dynamic, despite the chaos around her. Meighan Hogate, as Jerry Wylie, played the whiny, put-upon adult son, and was both hilariously sympathetic and comically exasperating. You can never be sure if he\u2019s in love with love, or in love with his fianc\u00e9e Jo, played by Betsy Muratore, who accurately portrayed the desire of a devoted assistant to become an operatic diva. Muratore highlights this moment when she shows Jo\u2019s relish in the status change from mouse to lioness.<\/p>\n

Cecilia Zugel commands the stage as the larger-than-life soprano Elena Firenzi, striking the perfect balance between operatic grandeur and comedic absurdity. Her performance was nothing short of spectacular \u2014 she captured the complexities of her character with remarkable depth while still managing to deliver the humor with perfect precision. Even more exciting were Zugel\u2019s gorgeous vocals. Her operatic voice was absolutely breathtaking, with a range and clarity that transported the audience straight into the world of high art. What truly stood out, however, was her flawless delivery of the Italian text. The precision with which she articulated each word, coupled with her impeccable accent, added a layer of authenticity to her portrayal that truly elevated the performance. Dialect coaching for this production was provided by Ivy Elizabeth.<\/p>\n

\"\"
TOP LEFT: \u2018We were waiting.\u2019 \u2018Here in der room!\u2019 \u2018When somebody rushes in!\u2019 \u2018Zoom, she goes by!\u2019 Robert Poston as Leo and Meighan Hogate as Jerry (foreground); Deb Hansen as Mrs. Lucy Wylie, Jeremy Gordet as Pasquale, d anCecilia Zugel as Elena (background); RIGHT: \u2018Don\u2019t forget to say, \u2018I\u2019ma da best! I\u2019ma Jo! I\u2019ya sing good!!\u2019 Betsy Muratore as Jo and Cecelia Zugel as Elena; ABOVE LEFT: \u2018You were magnificent tonight!\u2019 \u2018What part did you like the best?\u2019 Deb Hansen as Mrs. Wylie, Andrea Pajarillo as Bellhop, and Betsy Muratore as Jo, in \u2018Lend Me a Soprano.\u2019 PhotoS by Jean Tegtmeyer.<\/figcaption><\/figure>\n

Andrea Pajarillo, as the adorable bellhop, was an absolute charm to watch. With her bright-eyed optimism and endearing innocence, she perfectly captured the character\u2019s naivety, making her both lovable and effortlessly funny. Each time she appeared on stage, Andrea\u2019s enthusiasm and eagerness to please injected a refreshing burst of energy into the production. Robert Poston\u2019s portrayal of Leo, the egotistical tenor, perfectly captured the character\u2019s inflated sense of superiority with every arrogant glance and pompous gesture. Poston steals scenes with his suave, slightly clueless tenor persona. Jeremy Gordet, as Pasquale, the jealous husband of Elena, manifested the highs and lows of a typical macho husband who loves his wife but struggles with trust.<\/p>\n

Carolyn Corsano-Wong\u2019s performance as Julia is nothing short of perfection. She fully inhabits the role, bringing a rich depth to Julia\u2019s complex blend of ambition and desperation. Every gesture, every line was infused with a meticulous attention to detail \u2014 whether she was simmering with jealousy, delivering biting sarcasm, or attempting to navigate the chaotic world around Miss Val\u2019s costume design for Lend Me a Soprano<\/em> is a standout element that enhances both the humor and energy of the show. The costumes feature bold colors, elegant gowns, and crisp tailoring that capture the era and reinforce the characters’ personalities, elevating the farce without overshadowing the story. Elena, the diva soprano, enters the scene in a black, Morticia-like gown that foreshadows things to come! In contrast, Jo, the practical stage manager, wears simple, smart attire, grounding her character amid the chaos. As the farce unfolds, the costumes adapt, heightening the comedic moments \u2014 whether through exaggerated details or visual gags, each piece supports slapstick humor and physical comedy. Miss Val\u2019s designs are not only visually striking but also deeply connected to the characters, making them a perfect fit for this chaotic, hilarious production.<\/p>\n

Vincent Worthington\u2019s set design for Lend Me a Soprano<\/em> cleverly complements the play\u2019s farcical style while making the most of ARTFactory\u2019s smaller yet intimate space. The set consists of 1930s hotel suites, complete with multiple doors, period furnishings, and plenty of visual texture, functioning as both playground and pressure cooker for the characters\u2019 escalating antics. Scenic elements are thoughtfully layered without overwhelming the space, allowing for the precise choreography of entrances, exits, and narrowly missed encounters. In a venue where the audience is never more than a few feet from the action, the design team successfully creates a world that feels both polished and delightfully immersive.<\/p>\n

Lend Me a Soprano<\/em> is a delightful evening of theater that delivers big laughs in a small space. Ken Ludwig\u2019s script remains a masterclass in farce, and this production rises to the challenge with sharp direction, standout actors, and smart, resourceful design. The ARTfactory\u2019s intimate venue heightens the sense of being swept up in the backstage madness, making every misstep, disguise, and operatic outburst feel both immediate and hilariously real. Whether you\u2019re an opera aficionado or simply a fan of well-executed comedy, this fast-paced romp hits all the right notes.<\/p>\n

Content advisory: Mild language, sexual situations, discussion of overdose and self-murder.<\/p>\n

Running Time: Two hours with a 15-minute intermission.<\/p>\n

Lend Me a Soprano<\/strong> <\/em><\/a>plays through June 22, 2025, presented by the ARTfactory,<\/a> performing at the Wind River Theatre, 9419 Battle Street, Manassas, VA. Tickets are $28.29 and available online<\/strong>.<\/a> Elevator access is available to patrons.\u00a0<\/span><\/p>\n

The cast and creative credits for for Lend Me a Soprano<\/em> are online here.<\/a><\/p>\n

Ken Ludwig’s Lend Me a Soprano
\n<\/strong><\/em>Directed by Vincent Worthington<\/p>\n","protected":false},"excerpt":{"rendered":"

Ken Ludwig\u2019s script is a masterclass in farce, and this intimate production is a fast-paced evening of theatrical mayhem. By CHRISTINE MAXTED<\/p>\n","protected":false},"author":53,"featured_media":369516,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[14,22],"tags":[634,635],"class_list":{"0":"post-369509","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-community-theater","8":"category-virginia","9":"tag-ken-ludwig","10":"tag-vincent-worthington"},"acf":[],"apple_news_notices":[],"yoast_head":"\nARTfactory's delightful 'Lend Me a Soprano' delivers big laughs up close - 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