{"id":36,"name":"Sophia Howes","url":"","description":"Sophia Howes has been a reviewer for DCTA since 2013 and a columnist since 2015. She has an extensive background in theater. Her play Southern Girl<\/em> was performed at the Public Theater-NY, and two of her plays, Rosetta\u2019s Eyes<\/em> and Solace in Gondal,<\/em> were produced at the Playwrights\u2019 Horizons Studio Theatre. She studied with Curt Dempster at the Ensemble Studio Theatre, where her play Madonna<\/em> was given a staged reading at the Octoberfest. Her one-acts Better Dresses<\/em> and The Endless Sky,<\/em> among others, were produced as part of Director Robert Moss\u2019s Workshop-NY. She has directed The Tempest,<\/em> at the Hazel Ruby McQuain Amphitheatre, and Who\u2019s Afraid of Virginia Woolf?<\/em> at the Monongalia Arts Center, both in Morgantown, WV. She studied Classics and English at Barnard and received her BFA with honors in Drama from Tisch School of the Arts, NYU, where she received the Seidman Award for playwriting. Her play Adamov<\/em> was produced at the Harold Clurman Theater on Theater Row-NY. She holds an MFA from Tisch School of the Arts, NYU, where she received the Lucille Lortel Award for playwriting. She studied with, among others, Michael Feingold, Len Jenkin, Lynne Alvarez, and Tina Howe.","link":"https:\/\/dctheaterarts.org\/author\/sophia-howes\/","slug":"sophia-howes","avatar_urls":{"24":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-24x24.jpg","48":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-48x48.jpg","96":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-96x96.jpg"},"meta":[],"acf":[],"simple_local_avatar":{"media_id":183011,"full":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e.jpg","blog_id":1,"192":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-192x192.jpg","96":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-96x96.jpg","500":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e.jpg","64":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-64x64.jpg","32":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-32x32.jpg","24":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-24x24.jpg","48":"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-48x48.jpg"},"yoast_head":"\nSophia Howes, Author at DC Theater Arts<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"profile\" \/>\n<meta property=\"og:title\" content=\"Sophia Howes\" \/>\n<meta property=\"og:url\" content=\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/\" \/>\n<meta property=\"og:site_name\" content=\"DC Theater Arts\" \/>\n<meta property=\"og:image\" content=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e.jpg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"ProfilePage\",\"@id\":\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/\",\"url\":\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/\",\"name\":\"Sophia Howes, Author at DC Theater Arts\",\"isPartOf\":{\"@id\":\"https:\/\/dctheaterarts.org\/#website\"},\"breadcrumb\":{\"@id\":\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/dctheaterarts.org\/author\/sophia-howes\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/dctheaterarts.org\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Archives for Sophia Howes\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/dctheaterarts.org\/#website\",\"url\":\"https:\/\/dctheaterarts.org\/\",\"name\":\"DC Theater Arts\",\"description\":\"Washington, DC's most comprehensive source of performing arts coverage.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/dctheaterarts.org\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/dctheaterarts.org\/#\/schema\/person\/67a88bbbc63d00a082182893fd39e16a\",\"name\":\"Sophia Howes\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/dctheaterarts.org\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-96x96.jpg\",\"contentUrl\":\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2015\/09\/2b6c91e-96x96.jpg\",\"caption\":\"Sophia Howes\"},\"description\":\"Sophia Howes has been a reviewer for DCTA since 2013 and a columnist since 2015. She has an extensive background in theater. Her play Southern Girl was performed at the Public Theater-NY, and two of her plays, Rosetta\u2019s Eyes and Solace in Gondal, were produced at the Playwrights\u2019 Horizons Studio Theatre. She studied with Curt Dempster at the Ensemble Studio Theatre, where her play Madonna was given a staged reading at the Octoberfest. Her one-acts Better Dresses and The Endless Sky, among others, were produced as part of Director Robert Moss\u2019s Workshop-NY. She has directed The Tempest, at the Hazel Ruby McQuain Amphitheatre, and Who\u2019s Afraid of Virginia Woolf? at the Monongalia Arts Center, both in Morgantown, WV. She studied Classics and English at Barnard and received her BFA with honors in Drama from Tisch School of the Arts, NYU, where she received the Seidman Award for playwriting. Her play Adamov was produced at the Harold Clurman Theater on Theater Row-NY. She holds an MFA from Tisch School of the Arts, NYU, where she received the Lucille Lortel Award for playwriting. 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She has an extensive background in theater. Her play Southern Girl was performed at the Public Theater-NY, and two of her plays, Rosetta\u2019s Eyes and Solace in Gondal, were produced at the Playwrights\u2019 Horizons Studio Theatre. She studied with Curt Dempster at the Ensemble Studio Theatre, where her play Madonna was given a staged reading at the Octoberfest. Her one-acts Better Dresses and The Endless Sky, among others, were produced as part of Director Robert Moss\u2019s Workshop-NY. She has directed The Tempest, at the Hazel Ruby McQuain Amphitheatre, and Who\u2019s Afraid of Virginia Woolf? at the Monongalia Arts Center, both in Morgantown, WV. She studied Classics and English at Barnard and received her BFA with honors in Drama from Tisch School of the Arts, NYU, where she received the Seidman Award for playwriting. Her play Adamov was produced at the Harold Clurman Theater on Theater Row-NY. 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