{"id":353278,"date":"2024-04-17T07:39:21","date_gmt":"2024-04-17T11:39:21","guid":{"rendered":"https:\/\/dctheaterarts.org\/?p=353278"},"modified":"2024-04-17T07:39:21","modified_gmt":"2024-04-17T11:39:21","slug":"michael-russotto-on-his-gay-burlesque-character-in-the-nance-at-1st-stage","status":"publish","type":"post","link":"https:\/\/dctheaterarts.org\/2024\/04\/17\/michael-russotto-on-his-gay-burlesque-character-in-the-nance-at-1st-stage\/","title":{"rendered":"Michael Russotto on his gay burlesque character in &#8216;The Nance&#8217; at 1st Stage"},"content":{"rendered":"<p>Michael Russotto, who plays the lead Chauncey Miles in <a href=\"https:\/\/1ststage.org\/events-one\/nance5\">1st Stage\u2019s current production<\/a> of Douglas Carter Beane\u2019s <em>The Nance,<\/em> has an eclectic and extraordinary r\u00e9sum\u00e9 in his 40-plus years on the stage. From mid-1980s productions at Studio Theatre (where he studied under the legendary Joy Zinoman) to numerous performances at Woolly Mammoth Theatre (such as Will in the acclaimed 2011 run of Samuel D. Hunter\u2019s <em>A Bright New Boise<\/em>) and dozens of other shows across the area and nationally (including a recent national tour of Mitch Albom\u2019s <em>Tuesdays with Morrie<\/em>), this veteran actor is a reliably memorable presence.<\/p>\n<figure id=\"attachment_353283\" aria-describedby=\"caption-attachment-353283\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-353283 size-full\" src=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/Michael-Russotto-800x600-1.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/Michael-Russotto-800x600-1.jpg 800w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/Michael-Russotto-800x600-1-300x225.jpg 300w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/Michael-Russotto-800x600-1-460x345.jpg 460w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/Michael-Russotto-800x600-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-353283\" class=\"wp-caption-text\">Michael Russotto as Chauncey Miles in \u2018The Nance.\u2019 Photo by Teresa Castracane.<\/figcaption><\/figure>\n<p>In <em>The Nance, <\/em>as directed by Nick Olcott, Russotto takes on the role originated by Nathan Lane in a 2013 Tony-nominated performance. It is a bookend of sorts, Russotto said, for himself and Olcott; 41 years ago, in what the veteran actor counts as his first professional performance, the two were part of the cast of Agatha Christie\u2019s <em>The Mousetrap<\/em> at the now-defunct Petrucci\u2019s Dinner Theatre in Laurel. They first connected about this new play, Russotto added, in the summer of 2020 when auditions were held via Zoom; nearly four years later, \u201c&#8230;we have had a great time. Nick has been a terrific guide through the rehearsal process, and we build off each other\u2019s thoughts.\u201d<\/p>\n<figure id=\"attachment_353289\" aria-describedby=\"caption-attachment-353289\" style=\"width: 325px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-353289\" src=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/michael-russotto-headshot-410x410-1-2.jpeg\" alt=\"\" width=\"325\" height=\"325\" srcset=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/michael-russotto-headshot-410x410-1-2.jpeg 300w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/michael-russotto-headshot-410x410-1-2-150x150.jpeg 150w\" sizes=\"auto, (max-width: 325px) 100vw, 325px\" \/><figcaption id=\"caption-attachment-353289\" class=\"wp-caption-text\">Michael Russotto \u00a9 2015 | Kristina Sherk Photography | <a href=\"https:\/\/www.kristinasherk.com\/\" target=\"_blank\" rel=\"noopener\">www.Kristinasherk.com<\/a><\/figcaption><\/figure>\n<p>Chauncey is a gay burlesque actor who performs nightly as a \u201cnance,\u201d an effeminate and campy character wildly popular during the 1930s period that Carter Beane dramatizes. Chauncey balances this role with a blossoming relationship he develops with the much younger Ned (played by Patrick Joy), and political attacks on gay men by then New York City Mayor Fiorello La Guardia, which reverberate across society. Despite it all, he performs; even after Ned leaves the pressure of New York City for a national touring production. \u201cHe [Chauncey] believes what he hears [about gay men], and that he does not deserve happiness.\u201d<\/p>\n<p>For the openly gay Russotto, his character is \u201ca man struggling to come to terms with who he is. And I am not sure he likes who he is.\u201d The veteran actor added, \u201cOn the surface, he believes he is happy. But deep down inside, I think he feels like he is lying to himself\u2026and to be rejected by fellow Republicans \u2014 for who he is \u2014 is deeply wounding.\u201d Among the reasons Russotto appreciates Carter Beane\u2019s writing is that \u201cI love that it does not sugarcoat how difficult it was to be a gay person during this time. They were a marginalized group.\u201d<\/p>\n<p>The relationship between Chauncey and Ned is at the center of <em>The Nance.<\/em> While initially the relationship is solely sexual, the men&#8217;s feelings grow; yet Chauncey struggles between his feelings for Ned and his own (lack of) self-worth. To nurture the relationship that emerges on stage, Russotto and Joy worked with Intimacy Coordinator Lorraine Ressegger-Slone. For Russotto, this brought an added dimension to his performance: \u201cPatrick and I were both willing to explore the physical possibilities of this performance; Lorraine helped make that happen.\u201d The seasoned actor also appreciated Joy\u2019s talent: \u201cWhile I have more experience, Patrick was very willing and open [to try things on stage]. Once a young actor understands that \u2014 the freedom to fail \u2014 it makes a big difference.\u201d<\/p>\n<figure id=\"attachment_352718\" aria-describedby=\"caption-attachment-352718\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-352718\" src=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/The-Nance-800x600-1.jpg\" alt=\"\" width=\"800\" height=\"600\" srcset=\"https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/The-Nance-800x600-1.jpg 800w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/The-Nance-800x600-1-300x225.jpg 300w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/The-Nance-800x600-1-460x345.jpg 460w, https:\/\/dctheaterarts.org\/wp-content\/uploads\/2024\/04\/The-Nance-800x600-1-768x576.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption id=\"caption-attachment-352718\" class=\"wp-caption-text\">LEFT: Michael Russotto as Chauncey Miles; RIGHT: Robert Joy as Ned, in \u2018The Nance.\u2019 Photos by Teresa Castracane.<\/figcaption><\/figure>\n<p>The relationship Russotto and Joy showcase evolves, but internally, Chauncey is still troubled; he resists Ned\u2019s entreaties to have a monogamous relationship and instead pursues anonymous encounters with other men. \u201cChauncey is so conditioned to believe that it [his relationship with Ned] is wrong that he can\u2019t maintain it,\u201d Russotto said. \u201cHe falls in love with Ned\u2026but that is not a thing that is viable. When love comes to him, he rejects it; that\u2019s the tragedy of the play.\u201d<\/p>\n<p>By the play\u2019s end, playwright Carter Beane resists a happy ending. Why? \u201cBecause it\u2019s the truth,\u201d Russotto said. \u201cSince 1937, things have not changed all that much. Some people now still believe sexuality is a choice, and a bad choice, that you make. By the play\u2019s end, Chauncey is struggling to find some light at the end of the tunnel.\u201d As to his character\u2019s future, Russotto is not hopeful, \u201cI don\u2019t know. But it\u2019s not a happy one.\u201d<\/p>\n<p>Running Time: Two hours and 45 minutes plus a 15-minute intermission.<\/p>\n<p><em><a href=\"https:\/\/1ststage.org\/events-one\/nance5\" target=\"_blank\" rel=\"noopener\"><strong>The Nance<\/strong> <\/a><\/em>plays through April 21, 2024, at <a href=\"https:\/\/1ststage.org\/\" target=\"_blank\" rel=\"noopener\">1st Stage<\/a>, located at 1524 Spring Hill Road, Tysons, VA. Tickets are $55 for general admission and are available for purchase by calling the box office at 703-854-1856, going<a href=\"https:\/\/1ststage.org\/nance5\" target=\"_blank\" rel=\"noopener\"> <strong>online,<\/strong><\/a> or in person before each performance. Limited numbers of seats are offered at $25 and $35 for each performance. Open seating.<\/p>\n<p>The program for <em>The Nance<\/em>\u00a0is online <a href=\"https:\/\/static1.squarespace.com\/static\/6047c3a2157b5f4d3db671f6\/t\/660f0b296e90fb17ec557f5c\/1712261933069\/THE+NANCE+Playbill+WEB.pdf\" target=\"_blank\" rel=\"noopener\">here.<\/a><\/p>\n<p><strong>COVID Safety: <\/strong>1st Stage is now a mask-optional space with select mask-required performances offered for each show. See 1st Stage\u2019s complete COVID Safety Information <a href=\"https:\/\/1ststage.org\/covid-safety-plan\" target=\"_blank\" rel=\"noopener\">here.<\/a><\/p>\n<p><iframe loading=\"lazy\" title=\"Razzle, Dazzle, And Heart - The Cast Of THE NANCE\" width=\"696\" height=\"392\" src=\"https:\/\/www.youtube.com\/embed\/xM-BN1HDrOQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>SEE ALSO:<br \/>\n<a title=\"Closeted \u2018Nance\u2019 plays flamboyant and funny onstage at 1st Stage\" href=\"https:\/\/dctheaterarts.org\/2024\/04\/08\/closeted-the-nance-plays-flamboyant-and-funny-onstage-at-1st-stage\/\" rel=\"bookmark\">Closeted \u2018Nance\u2019 plays flamboyant and funny onstage at 1st Stage <\/a><\/strong>(review by Caroline Bock, April 8, 2024)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The veteran actor goes deep into the role and the repressive era of the play.   By ERIC COLCHAMIRO<\/p>\n","protected":false},"author":57,"featured_media":353283,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"apple_news_api_created_at":"","apple_news_api_id":"","apple_news_api_modified_at":"","apple_news_api_revision":"","apple_news_api_share_url":"","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false,"footnotes":""},"categories":[20],"tags":[],"class_list":{"0":"post-353278","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-interviews"},"acf":[],"apple_news_notices":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v21.0 (Yoast SEO v26.2) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Michael Russotto on his gay burlesque character in &#039;The Nance&#039; 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