{"id":349944,"date":"2024-02-12T11:47:25","date_gmt":"2024-02-12T16:47:25","guid":{"rendered":"https:\/\/dctheaterarts.org\/?p=349944"},"modified":"2024-02-12T11:47:25","modified_gmt":"2024-02-12T16:47:25","slug":"the-ensemble-shines-in-the-sensational-sea-mink-ettes-at-woolly-mammoth","status":"publish","type":"post","link":"https:\/\/dctheaterarts.org\/2024\/02\/12\/the-ensemble-shines-in-the-sensational-sea-mink-ettes-at-woolly-mammoth\/","title":{"rendered":"The ensemble shines in ‘The Sensational Sea Mink-ettes’ at Woolly Mammoth"},"content":{"rendered":"

The world premiere of Vivian J.O. Barnes\u2019 The Sensational Sea Mink-ettes<\/em> lives up to its name in this searing examination of the costs of seeking athletic perfection and the consequences of comparing oneself to the perfectionists we idolize. But come expecting to be highly entertained too. The dancers zip. The dialogue zings (\u201cThe word pubes<\/em> is officially banned from practice\u201d).<\/p>\n

The Woolly Mammoth Theatre Company\u2019s production centers on a dance team prepping for an all-important Homecoming half-time performance in a fictional HBCU (Historically Black College or University). The demanded outcome for the performance is non-negotiable. It must be excellent, effortless, and eloquent. But as Homecoming draws closer, it\u2019s clear that the outcome is in doubt. The mood is tense. The rehearsal formation expectations are unrelenting. The pressure is crushing.<\/p>\n

\"\"
Kalen Robinson, Billie Krishawn, and Khalia Muhammad in \u2018The Sensational Sea Mink-ettes.\u2019 Photo by Teresa Castracane.<\/figcaption><\/figure>\n

Our window into this subculture of HBCU life is vividly brought to life by an ensemble of six talented and winning actors. Each of them shines. Billie Krishawn\u2019s Shante\u00e9, who is dance captain and leader, is serious and sharp-tongued. She expects her orders to be followed. But Krishawn\u2019s performance also reveals Shante\u00e9\u2019s heart of gold. She’s vulnerable too.<\/p>\n

Sabrina Lynn Sawyer\u2019s Kiera, idolizes megastar Beyonc\u00e9. She wrestles with wanting to be exactly like her, or her perception of who Beyonc\u00e9 really is, and her own fears of inadequacy. Her interactions with teammates illuminate many of the complexities of Black female friendships. She also gives voice to many of the questions raised by the play, such as \u201cWhat does Black sisterhood and femalehood mean?\u201d<\/p>\n

Lauren Fraites\u2019 Aleyse demands our empathy as the \u201cnew girl\u201d trying desperately to fit in, unable or unwilling to live up to the legacy of her mother and grandmother who were both former Sea Mink-ettes.<\/p>\n

Kimberly Dodson\u2019s Maya commands our attention with a shell of protectiveness and focus on her thesis, grad school applications, and fellowships to apply to. Her astonishing capacity to rebuff Shante\u00e9\u2019s pressure is breathtaking. Her insistence to be seen for who she is leads to one of the fundamental surprises of the plot when things start to go haywire.<\/p>\n

Last but not least is the charismatic and captivating duo of Kalen Robinson (Racquel\/Dionne) and Khalia Muhammad (Gabby\/Nikki). The two of them are hilarious together spouting some of the most entertaining dialogue and set pieces of the show. I assure you, they did not consult AI to come up with their song title! And yet, Robinson\u2019s earnestness is plain to see, as is Muhammad\u2019s empathy and loyalty to her friend and the Sea Mink-ettes.<\/p>\n

\"\"
TOP LEFT: Lauren Fraites and Billie Krishawn (seated), Khalia Muhammad and Kalen Robinson (dancing); RIGHT: Kalen Robinson, Khalia Muhammad, and Billie Krishawn (seated); ABOVE LEFT (from top): Sabrina Lynne Sawyer, Kalen Robinson, Lauren Fraites, Khalia Muhammad, Kimberly Dodson, and Billie Krishawn in \u2018The Sensational Sea Mink-ettes.\u2019 Photos by Teresa Castracane.<\/figcaption><\/figure>\n

When calamity ensues (what an understatement!) perhaps from supernatural forces, the play goes deeper to confront fundamental questions about belonging, invisibility, self-sacrifice, and autonomy. Indeed, many more questions are raised than answered, and asking them here threatens to give away plot points, so I will not. Moreover, the role of the playwright is to raise questions so that we in the audience individually arrive at the truth and meaning of what we\u2019ve witnessed.<\/p>\n

Ashleigh King\u2019s choreography is itself worth the price of admission. It\u2019s athletic, sexy, sharp, precise, and graceful. For me, watching the varied physical Black female bodies move proudly and confidently was beautiful. And inspiring. Additionally, hats off to Tosin Olufolabi for music design and all of the eerie sudden loud noises. Kudos as well to the rousing Homecoming musical finale performed by the Homecoming Band: “TK\u201d TromboneKing (Band Leader, Trombonist), Steve Belk (Trombonist), Eric Summers (Trumpet), Randy Hampton (Sousaphone), Travis Gardner (Drums).<\/p>\n

Indeed, this outstanding production moves energetically under the visionary guidance of Obie-winner director Taylor Reynolds. The action never flags, even as characters spat and challenge one another. Could the play be slowed down a bit before the pinnacle to delve more deeply into one or more of the central questions? Spending even a little more time with these characters would be welcomed.<\/p>\n

The principal set, by Scenic Designer Paige Hathaway, is a realistically rendered bleacher high rise, which allows the actors space for group routines as well as individual vertical and lateral movement. This uncluttered stage also compels the audience to confront the emotion and tension of the story. We cannot look away. Less successful is the hidden compartment beneath the stadium grounds because it\u2019s difficult to see its contours and interior except from the front of the house. Lighting Designer Minjoo Kim\u2019s stadium lights augment the theme of visibility because \u2014 they are on through the duration \u2014 while secondarily enhancing the mystery embedded in the odd events the team experiences during practices. Danielle Preston\u2019s costumes are spot-on. Her practice outfits perfectly match each team member’s personality and style.<\/p>\n

The Sensational Sea Mink-ettes<\/em> is both exuberant and sobering. It contains multitudes of meaning. In this Black History Month, it reminds us that all of our stories are important. Thanks to Woolly Mammoth Theatre Company for its production of this world premiere, and for reminding us again of the vital role theater holds in creating and celebrating community.<\/p>\n

Running Time: 90 minutes, without an intermission.<\/p>\n

The Sensational Sea Mink-ettes<\/em><\/a><\/strong> plays through March 3, 2024, at Woolly Mammoth Theatre Company<\/a>, 641 D St NW, Washington, DC. Tickets ($29\u2013$82) can be purchased online<\/strong>,<\/a> by phone at 202-393-3939 (Wednesday\u2013Sunday, 12:00\u20136:00 p.m.), by email (tickets@woollymammoth.net<\/a>), or in person at the Sales Office at 641 D Street NW, Washington, DC (Wednesday\u2013Sunday, 12:00\u20136:00 p.m.).<\/p>\n

The program for The Sensational Sea Mink-ettes <\/em>is online here.<\/a><\/p>\n

ASL INTERPRETED PERFORMANCES
\nFriday, February 16, 8 pm (Blackout Performance)
\nSaturday, February 17, 8 pm
\nSunday, February 25, 2 pm<\/p>\n

OPEN CAPTIONED PERFORMANCES
\nWednesday, February 14, 8 pm
\nThursday, February 15, 8 pm.<\/p>\n

AUDIO DESCRIBED PERFORMANCES
\nSaturday, February 17, 3 pm
\nSaturday, March 2, 3 pm<\/p>\n

COVID Safety:<\/strong> Masks are optional in all public spaces at Woolly Mammoth Theatre Company except for two MASK-REQUIRED PERFORMANCES: Tuesday, February 27, 8 pm, and Saturday, March 2, 3 pm. Woolly\u2019s full safety policy is available here.<\/a><\/p>\n

The Sensational Sea Mink-ettes<\/strong><\/em>
\nWritten by Vivian J.O. Barnes
\nDirected by Taylor Reynolds
\nAssistant Director, Fatima Dyfan<\/p>\n

CAST
\nShante\u00e9: Billie Krishawn
\nAleyse: Lauren Fraites
\nMaya: Kimberly Dodson
\nKiera: Sabrina Lynne Sawyer
\nRacquel\/Dionne: Kalen Robinson
\nGabby\/Nikki: Khalia Muhammad<\/p>\n

UNDERSTUDIES
\nFor Aleyse \/ Kiera: Winter Cook
\nFor Gabby \/ Raquel: Mahlet Gebreyesus
\nFor Shante\u00e9: Kalen Robinson
\nFor Maya: Sabrina Lynne Sawyer<\/p>\n

CREATIVE TEAM
\nDramaturg: Sonia Fernandez
\nCostume Designer: Danielle Preston
\nLighting Designer: Minjoo Kim
\nScenic Designer: Paige Hathaway
\nSound Designer: Tosin Olufolabi
\nStage Manager: Julia Singer
\nHair & Wig Designer: Lashawn Melton
\nChoreographer: Ashleigh King
\nCasting: Danica Rodriguez<\/p>\n

THE HOMECOMING BAND
\n“TK\u201d TromboneKing – Band Leader, Trombonist
\nSteve Belk: Trombonist
\nEric Summers: Trumpet
\nRandy Hampton: Sousaphone
\nTravis Gardner: Drums<\/p>\n

SEE ALSO:<\/strong>
\nWoolly Mammoth to premiere Vivian J.O. Barnes\u2019 \u2018The Sensational Sea Mink-ettes\u2019 <\/a><\/strong>(news story, January 6, 2023)<\/p>\n","protected":false},"excerpt":{"rendered":"

An exuberant production brought vividly to life by six talented and winning actors. 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